Ex parte HICKMAN et al. - Page 6




          Appeal No. 1998-1029                                                        
          Application 08/361,590                                                      


               2, lines 34-42). [When] [t]he explicit disclosure of                   
               elasticity [is] taken in view of the complexity of                     
               the invention and the skill of the ordinary skilled                    
               artisan, it is deemed that to make the mouth of the                    
               Bunin figure deformable over 50% would have been                       
               obvious, since the difference between the invention                    
               and the prior art is merely a matter of degree of                      
               elasticity and it is strongly believed that the                        
               ordinary skilled artisan would have the skill to                       
               modify the disclosed elasticity to any degree                          
               including over 50%.  [Answer, page 5.]                                 
               Legal conclusions of obviousness must be supported by                  
          facts.  In re Warner, 379 F.2d 1011, 1017, 154 USPQ 173, 178                
          (CCPA 1967).  An examiner has the initial burden of supplying               
          the requisite factual basis and may not, because of doubts                  
          that the claimed invention is patentable, resort to                         
          speculation, unfounded assumptions or hindsight reconstruction              
          to supply deficiencies in the factual basis.  Id.                           
               We are aware that the material of Bunin’s puppet-like                  
          figure has at least some elasticity.  We also are aware that                
          Bunin’s Figure 2 embodiment includes a mouth that may be                    
          manipulated by rods 11 to change the expression of the face.                
          However, Bunin is silent as to the size of the mouth, and                   
          expressly states that the principal criterion for choosing the              
          material of the puppet-like figure is flexibility, not                      


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