Ex parte PASQUALE NATUZZI, et al. - Page 4




                Appeal No. 97-0649                                                                                                            
                Application 29/031,122                                                                                                        


                that the Natuzzi 474 sofa  does create basically the same visual5                                                                                   
                impression as the claimed sofa design, and therefore constitutes                                                              
                a basic (“Rosen”) design reference.  While there are differences                                                              
                between the two designs, as appellants point out, we do not                                                                   
                consider that they are such as to affect the basic design                                                                     
                characteristics of the Natuzzi 474 sofa.  Both create the same                                                                
                basic visual impression, notwithstanding the fact that the                                                                    
                claimed design may be more “rectilinear” than Natuzzi 474.                                                                    
                         Nevertheless, we will not sustain the rejection, for even if                                                         
                the Natuzzi 474 sofa were modified as suggested by Natuzzi 1030,                                                              
                it would not result in the claimed invention.  In both                                                                        
                references, the two seam lines at the ends of the backrest                                                                    
                cushions flare upwardly and outwardly from the seat cushion,                                                                  
                rather than beginning at the armrest and progressing vertically                                                               
                upward, with a lesser outward turn at their upper ends.  We find                                                              
                no suggestion in Natuzzi 1030 that would lead an ordinary                                                                     
                designer to modify the seam lines of Natuzzi 474 so that they                                                                 
                originate at the armrest and extend in a vertical direction (when                                                             
                seen from the front) for a considerable portion of their height,                                                              
                as shown in Figure 2 of the application.                                                                                      


                         5The application drawings and Natuzzi 474 each show three                                                            
                kinds of seats, namely, a sofa, a love seat, and a chair.  For                                                                
                convenience, we will limit our discussion to the sofa.                                                                        
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