Ex Parte Wong - Page 13



          Appeal No. 2004-1144                                                        
          Application No. 09/584,765                                                  
          modifying Suzuki’s underlayer alloy so as to possess the here               
          claimed A2 structure rather than a B2 structure.                            
               This is because the applied references do not support the              
          examiner’s implicit supposition that an artisan would have                  
          reasonably expected Lambeth’s indication of equivalency for his             
          recording medium environment as applicable to the recording                 
          medium environment of Suzuki.  In this regard, we observe that              
          the environment of Lambeth involves highly oriented layers having           
          particular structures (e.g., hexagonal close packed, face                   
          centered cubic as well as body centered cubic structures) in                
          order to achieve patentee’s desiderata (e.g., see the Abstract,             
          lines 38-68 in column 12, lines 1-40 in column 13, the paragraph            
          bridging columns 26 and 27 as well as lines 8-25 in column 27).             
          These aspects of Lambeth’s recording medium do not appear to have           
          reasonably specific relevancy to the recording medium of Suzuki.            
               Thus, the fact that an A2 as well as a B2 structure may be             
          acceptable for use by Lambeth would not have suggested                      
          acceptability for use in Suzuki’s recording medium.  This                   
          viewpoint is reinforced by the fact that the AlNi underlayer,               
          which Suzuki seeks to improve by adding various elements thereto,           
          is explicitly disclosed by patentee as having a B2 structure                
          (e.g., see lines 6-28 in column 2).  In the context of Suzuki’s             

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