Ex Parte KATAYAMA - Page 2




             Appeal No. 2001-1467                                                          Page 2              
             Application No. 08/687,039                                                                        


             codes coincide, the pager alerts its user of the receipt of a message by outputting a             
             sound or vibration in a pattern stored in the pager.  If different sound or vibration             
             patterns are stored in the pager, the base station adds a code designating one of the             
             patterns to the paging signal, and the pager selects and outputs the corresponding                
             pattern.                                                                                          


                   Because the fixed sound and vibration patterns must be stored in the pager, the             
             number of such patterns is limited by the storage capacity of the pager.  Accordingly,            
             protests the appellant, conventional pagers requiring a large storage capacity and                
             having a limited choice of user alerts.  (Spec. at 2).                                            


                   In contrast, the message portion of the appellant’s paging signal includes                  
             musical data.  Based on melody start and end symbols therein, his radio pager                     
             separates the message portion into textual data and the musical data.  It then                    
             generates melody frequencies corresponding to the musical data, modulates the                     
             melody frequencies to output a melody, and drives a speaker therewith.  With this                 
             configuration, asserts the appellant, the pager can output alert tones in a variety of            
             patterns.  (Id. at 13-14.)  He adds that the pager does not require a memory to store             
             different patterns of alert tones.  (Id. at 14.)                                                  









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