Conrad Janis and Maria G. Janis - Page 4

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          attending college, Carroll worked in the gallery.  Carroll                  
          returned to the gallery in 1964 and worked there until it closed.           
          Conrad also worked in the gallery for a period of time.                     
          Determining the Value of the Gallery and Its Collection for                 
          Purposes of Sidney’s Estate Tax Return                                      
               Sidney’s estate filed a Form 706, United States Estate (and            
          Generation-Skipping Transfer) Tax Return, on February 28, 1991.             
          George J. Noumair prepared the Form 706.  On the Form 706, the              
          value of the gallery was reported to be $19,533,750.  This amount           
          included a discounted value of $12,403,207 for the 464 works of             
          art (the collection) that the gallery owned on the date of                  
          Sidney’s death, cash and cash equivalents of $8,171,302, and                
          liabilities of $1,040,759.                                                  
               In order to determine the value of the gallery for estate              
          tax purposes, Sidney’s estate employed Sotheby’s to prepare an              
          appraisal of the collection.  Sotheby’s explained the basis for             
          its appraisal as follows:                                                   
                    In accordance with your request, we have appraised                
               the works of art owned by the Sidney Janis Gallery,                    
               with a view towards determining the fair market value                  
               thereof as of May 23, 1990, six months after the date                  
               of death of Sidney Janis.  * * * We have valued these                  
               works on an item-by-item basis at fair market value.                   
               * * *                                                                  
                         *    *    *    *    *    *    *                              
                    Despite the large number of works held by the                     
               Gallery, we have not taken into account any overall                    
               dimunition [sic] in value which might occur if the                     
               entire holdings were to be placed for sale in the                      
               ordinary course in the market at one time, which is the                





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