Santa Monica Pictures, LLC, Perry Lerner, Tax Matters Partner - Page 49

                                        -135-                                         
          and stock.  The Ackerman group’s only point of negotiation became           
          directed towards obtaining representations from Generale Bank and           
          CLIS regarding their tax bases in the receivables and SMHC stock,           
          and that they had not written down their bases for tax or                   
          accounting purposes.                                                        
               Mr. Lerner’s own tax experience also gave him a general                
          appreciation of the tax significance of contributing high-basis             
          properties to a partnership and failing to make a section 754               
          election.  In fact, Mr. Lerner marketed to Imperial, and then               
          implemented, a tax plan that virtually mimicked the CDR                     
          transaction in attempting to exploit these tax aspects.                     
                    c.  Nature of EBD Film Rights                                     
               Mr. Lerner testified that the Ackerman group was interested            
          in acquiring filmed entertainment assets and building a large               
          film library which “would be an extraordinary asset to hold for a           
          very long time.”  Mr. Lerner’s testimony appears implausible when           
          we consider the film rights that Schedule 1.6(b) of the exchange            
          and contribution agreement purportedly provided.  Schedule 1.6(b)           
          refers to “U.S. Video Film Rights”.  Those purported rights,                
          however, did not encompass the kind of rights that one might                
          associate with a long-term film library investment.  Indeed, the            
          term “U.S. Video Film Rights” seemingly refers only to video                
          distribution rights in the United States.  SMHC did not own all             
          the rights to the various film titles.  As Troy & Gould’s                   






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