Ex parte SPECTOR - Page 7




          Appeal No. 96-1766                                                          
          Application 08/218,822                                                      

               Maurer would not have reasonably suggested the                         
          appellant’s inventive concept because Maurer’s method                       
          contemplates drawing directly on the face of an actress                     
          (column 2, lines 33-35).  Even though care is taken to                      
          minimize 3-dimensional shading, the pictures taken relate very              
          much to the specific contours and outline of the particular                 
          actor or actress playing the role of the cartoon character.                 
          Moreover, Maurer’s method of painting directly on the face of               
          the actor or actress is antithetical to enveloping the actor                
          or actress in a body-suit except for small openings to permit               
          the actor or actress to see and breathe.  Note that claim 1                 
          specifically recites the step of:                                           
                    A.   enveloping the actor in a body suit dyed a                   
               specific solid color which totally covers the actor                    
               from head to toe except for small openings                             
               permitting the actor to see and breathe.                               
               For the foregoing reasons, we do not sustain the                       
          rejection of claims 1, 3, 4 and 7-10 as being unpatentable                  
          over Maurer.                                                                
               Beginning on the last paragraph commencing on page 5 of                
          the examiner’s answer to line 7 on page 6, the examiner                     
          describes what he regards as "[a] notoriously old and well                  
          known photographic technique in the field of cinematography."               
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