Ex Parte MERRITT et al - Page 6




          Appeal No. 2002-1144                                                        
          Application No. 09/422,633                                                  


          citation of the Ito publication of 1998, claim 1 on appeal                  
          encompasses a variety of polymers having a variety of functional            
          groups which are substituted with a myriad of acid labile groups.           
          For instance, the 1998 Ito publication cited by appellants                  
          discloses a number of different tBOC-protected resist polymers              
          (Fig. 9), and teaches that other blocking groups such as t-butyl            
          esters are known in the resist art (page 385, column 1, first               
          paragraph; and page 387, column 1, third paragraph for a teaching           
          of ketal and acetal protecting groups).  In addition, Ito                   
          evidences that there is a large number of photoinitiators which             
          generate an acid other than the triphenylsulfonium                          
          hexafluoroantimonate exemplified by appellants (see page 383,               
          second column, last paragraph).  Accordingly, the limited showing           
          found in appellants' specification data does not demonstrate that           
          the large class of resist compositions encompassed by appealed              
          claim 1 would exhibit similar superior results.                             
               Appellants also contend at page 6 of the Brief that the                
          patent to Mertesdorf indicates that those of ordinary skill in              
          the art would have understood Ito (JPS) as teaching away from the           
          use of partially protected polymers in a photoresist.  We agree             
          with the examiner, however, that Mertesdorf is not pertinent to             
          how one of ordinary skill in the art would have understood Ito              

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