Gerald D. and Catherine Leibowitz - Page 19

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          2.  The Donation of the Collection                                          
               By 1985, petitioner was running out of room to store the               
          collection, and he had begun to consider selling it.  He read an            
          article about a new museum, AMMI, that would be opening its doors           
          to the public in Astoria, New York, in the then-near future.  He            
          telephoned Eleanor Mish, the Registrar of AMMI, to inquire                  
          whether the museum would be interested in receiving the                     
          collection as a gift.  Ms. Mish told petitioner that AMMI was               
          interested in receiving such a gift.  On September 24, petitioner           
          wrote to Ms. Mish confirming his offer to donate the collection             
          to the museum.  At some time prior to December 31, 1985,                    
          petitioner donated the collection, consisting of 7,378 pieces, to           
          AMMI.  The December 31, 1985, deed of gift, for which petitioner            
          supplied an initial inventory, misstates that inventory as 4,347            
          items.  After making the donation, petitioner retained his print            
          block collection and a large number of stills.                              
               AMMI performed subsequent inventories of the collection and            
          assigned accession numbers to all items except duplicates.  The             
          duplicate items were physically separated from the rest of the              
          collection and held for subsequent sale or trade.  None of the              
          duplicates had been disposed of at the time of trial, in part               
          because of the pendency of this proceeding.                                 
               In 1985, AMMI was in the process of preparing a venue in               
          which to publicly display the collection it was then developing.            
          The museum did not open its doors to the general public until               




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