EWEN V. DOLLE et al. - Page 99




          Interference 103,482                                                        
          Patent 5,036,034, col. 1, l. 14-25).  Ewen defines a                        
          “syndiotactic polymer”                                                      
          as containing “principally units of exactly alternating                     
          stereoisomers” by the Fischer projection                                    
                              \      \                                                
          \      \      \                                                             
          and in Bovey’s NMR nomenclature as rrrr (Ewen U.S. Patent                   
          5,036,034, col. 1, l. 34-45).  The structure of Ewen’s                      
          “hemiisotactic polymers” is represented by Fischer projections              
          (3)(Ewen U.S. 5,036,034, col. 1, l. 57-65) and (6)(Ewen U.S.                
          5,036,034, col. 4, l. 23-36) where “[t]he second carbon atom                
          in formula (6) is the asymmetric carbon atom, i.e., the one                 
          which does not have identical groups attached, hence                        
          ‘asymmetric’” (Ewen U.S. 5,036,034, col. 2, l. 8-10).                       
               Most pertinent to the meaning persons skilled in the art               
          would have attributed to the references to ethylene and                     
          propylene as polymerizable monomers for producing polymers                  
          having syndiotactic and isotactic sequences in Dolle’s claims               
          are the corresponding definitions of the terms and list of                  
          monomers     in Ewen’s U.S. Patent 4,794,096 (Appendix G), at               
          column 2,                                                                   
          lines 3-42.  In reference to the scope of polymerizable                     
          monomers which persons skilled in the art would consider for                
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